Tune Of The Day Archive

EZ Rollers – Retro

It’s sad…  In the 20th century, in the 1990s we have to still go the same bullshit route that other artists have to go to get acceptance. If it wasn’t for the independents, if it wasn’t for the small little cities, and the few little ghetto guys trying to make music it would have never happened. Some of these

Marvellous Cain – Hitman (Ascend & Dead Dread Remix)

Forget Marvellous Cain’s original, this is the one. Using a similar intro to the original, the Back 2 Basics boys rip a new hole in it and take the original sound system sample and pitch it down to cool effect then drop in the inevitable amen tearout. A much remixed tune, the DJ Hype version

TOTD: Undercover Agent – Dubplate Circles

Hold on to your sub, this one’s about to ruin your speakers. Simple rolling beats leading up to one of the most mental wobbly basslines I’ve ever heard. Released on Juice Records back in ’95 this was one of many wicked tunes that those boys cranked out around that time. Juice, Splash and Undercover Agent never really

TOTD: Bass Selective – Blow Out Pt.II

All together now… “You had it, you had it oh boy” From a time where tunes really were anthems, when tunes caused an entire venue to rush their gurning faces off. And not many did it better than this track. Bass Selective were a collective of four, one of which was T-Power, who put out a

TOTD: Danny Breaks – Droppin’ Science Volume 1

Guest post by friend of Drumtrip @5nakey who gets all bleary-eyed writing about his love for Danny Breaks – Droppin’ Science Vol 1. (extra props for dreaming up the phrase ‘michelin starred musical cake’) In 1994 jungle music was alive with ideas. Before the split the happy hardcore was totally complete there was still cross pollination between

TOTD: Dopestyle – Fade Away

Today’s tune is possibly my favourite track on Hype’s Ganja Records alongside the Wu-Tang sampling ‘Tiger Style‘. Very simple and quite minimal in comparison to some of Hype’s work around this time, the track’s focal point comes from a sampled vocal taken from the Junior Byles‘ roots reggae track of the same name. Add into the mix an